Have enjoyed doing International Screens very much since a long long time ago.
perhaps it is because there are not much people doing this kind of show, therefore there won’t be a very packed cineplex and confirmed tickets. Or perhaps it is because not many people like to do such “boring” movies. there will be no big casts but actors and actresses you don’t even know who they are, there are no stunning visual effects that aw the shit out of you. however, i love doing it, because these shows are usually the kind of shows that can set your mind thinking about the meaning behind the scripts.
Based on the original novel by Khaled Hosseini, it speaks of the tale of 2 boys, from 2 different family backgrounds, but grew up together under the same roof. however, the tie was soon to be broken when one of the boys betrayed his childhood friend. there was a twist when the story goes about 3/4, and suddenly everything makes sense. at the same time, i guess you will feel a punch hitting your heart, and then tears started to fill your eyes. if you can’t wait for the movie, just click on the spoiler below to read the full synopsis from imdb.com
The two main characters of the story are Amir, a well-to-do Afghan boy, and Hassan, a Hazara the son of Amir’s father’s servant, Ali. The boys spend their days in a peaceful Kabul, kite fighting, roaming the streets and being boys. Amirs father, Baba, loves both the boys, but seems often to favor Hassan for being more manly. He is critical of Amir. Amirs mother died in childbirth, and Amir fears his father blames him for his mothers death. However, he has a kind father figure in the form of Rahim Khan, Babas friend, who understands Amir better, and is supportive of his interest in writing stories.
A notoriously violent older boy with Nazi sympathies, Assef, blames Amir for socializing with a Hazara, according to Assef an inferior race that should only live in Hazarajat. He prepares to attack Amir with his brass knuckles, but Hassan bravely stands up to him, threatening to shoot Assef in the eye with his slingshot. Assef and his henchmen back off, but Assef says he will take revenge.
Hassan is a “kite runner” for Amir, he runs to fetch kites Amir has defeated by cutting their strings. He knows where the kite will land without even seeing it. One triumphant day, Amir wins the local tournament, and finally Baba’s praise. Hassan goes to run the last cut kite, a great trophy, for Amir saying “For you, a thousand times over.” Unfortunately, Hassan runs into Assef and his two henchmen. Hassan refuses to give up Amir’s kite, so Assef extracts his revenge, assaulting and anally raping him. Wondering why Hassan is taking so long, Amir searches for Hassan and hides when he hears Assef’s voice. He witnesses what happens to Hassan but is too scared to help him. Afterwards, for some time Hassan and Amir keep a distance from each other. When Hassan wants to pick up their friendship again Amir holds it off. When people ask what is the matter, Amir reacts indifferently. He feels ashamed, and is frustrated by Hassan’s saint-like behavior and worries that Baba loves Hassan more, and would love him even more if he knew what happened to Hassan and Amir’s cowardly inaction.
To force Hassan to leave, Amir frames him as a thief, and Hassan falsely confesses. Baba forgives him, despite the fact that, as he explained earlier, he believes that “there is no act more wretched than stealing”. Hassan and his father Ali, to Baba’s extreme sorrow, leave anyway. Hassan’s departure frees Amir of the daily reminder of his cowardice and betrayal, but he still lives in their shadow.
A short while later, the Russians invade Afghanistan; Amir and Baba escape to Peshawar, Pakistan and then to Fremont, California, where Amir and Baba, who lived in luxury in an expensive mansion in Afghanistan, settle in a run-down apartment and Baba begins work at a gas station. Amir eventually takes classes at a local community college to develop his writing skills. Every Sunday, Baba and Amir make extra money selling used goods at a flea market in San Jose. There, Amir meets Soraya Taheri and her family; Soraya’s father has contempt of Amir’s literary aspiration. Baba has lung cancer but is still capable to do Amir a big favor: he asks Soraya’s father permission for Amir to marry her. He agrees and the two marry. Shortly thereafter Baba dies. Amir and Soraya learn that they cannot have children.
Amir embarks on a successful career as a novelist. Fifteen years after they said goodbye, Amir receives a call from Rahim Khan, who is dying from an illness, who asks him to come to Pakistan. He enigmatically tells Amir “there is a way to be good again”. Amir goes.
From Rahim Khan, Amir learns the fates of Ali and Hassan. Ali was killed by a land mine. Hassan had a wife and a son, named Sohrab, and had returned to Babas house as a caretaker at Rahim Khans request. One day the Taliban ordered him to give it up and leave, but he refused, and was murdered, along with his wife. And the secret truth about Hassan is that Ali was not his father. He is the son of Baba, and Amir’s half-brother. Finally, Rahim Khan reveals that the true reason he has called Amir to Pakistan is to go to Kabul to rescue Hassan’s son, Sohrab, from an orphanage.
Amir returns to Taliban-controlled Kabul with a guide, Farid, and search for Sohrab at the orphanage. However, he does not find Sohrab there. The director of the orphanage tells them that a Taliban official has recently taken him. He tells him to go to a football match and the man with the sunglasses will be the man who took Sohrab.
Amir goes and secures an appointment with him at his home. There he finds out that the Taliban official is actually his childhood nemesis Assef. Sohrab is made to dance dressed in women’s clothes, and it seems Assef might have been sexually assaulting him (Sohrab later says: “I’m so dirty and full of sin. The bad man and the other two did things to me”). Assef agrees to relinquish him, but only if Amir can beat him in a fight to death, with Sohrab as the prize. Assef brutally beats Amir, but Amir is saved when Sohrab uses his slingshot to shoot out Assef’s left eye, fulfilling the threat his father had made years before.
Amir tells Sohrab of his plans to take him back to America and possibly adopt him, and promises that he will never be sent to an orphanage again. Sohrab is emotionally damaged and refuses to speak. This continues on for about a year until his frozen emotions are temporarily thawed when Amir reminisces about his father, Hassan, while kite flying. Amir shows off some of Hassans tricks, and Sohrab begins to interact with Amir again. In the end Sohrab only shows a lopsided smile, but Amir takes to it with all his heart as he runs the kite for Sohrab, saying, “For you, a thousand times over.” This is a play on the last words spoken to Amir by Hassan before the rape, and denotes the sense of atonement that surrounds the novel
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this is the second movie that made me shed my tears, after Braveheart. so, to me i think it’s really a damn good movie which noone should miss. i am looking forward for Columbia Picture’s upcoming movie that is based on Khaled Hosseini’s second novel A Thousand Splendid Suns. however, the movie is yet to be filmed.
A movie with a twist, a tear shedding ending, a bunch of personality actors, and a documentary like filming technique.
THE BIGGEST PIECE OF CRAP OF MOVIE CALENDAR YEAR 2008 !!!!!!!
For goodness sake, who in the right mind would make movie like that !?
seriously speaking, i kinda felt that my intelligence was insulted after watching the show, if the ticket is refundable, i would want a full refund + compensation to 80 minutes of my life wasted sitting in the cineplex watching this god damn show.
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i’m not going to say anything about this show because nothing is worth mentioning at all
storyline SUCKS, movie SUCKS, actors and actresses SUCKS, sets SUCK.. everything about this movie SUCKS
Long ago in the Iron Age a shadow loomed over a lonely village. For generations the village youths are stolen from their families and delivered as sacrifice to a mythical beast - the Minotaur, that dwells beneath a great palace. Theo, haunted by the loss of his love in an earlier sacrifice is convinced that the beast isn’t real and that his girl still lives as a slave within the palace. His father Cyrnan, the village leader, tries to reason with Theo not to go but Theo is driven by blind rage. He devises a plan and is taken with the other youths who are dragged screaming from their families. Written by Mykol Gantt
In the age of gods and spirits, the world was ruled by a dark empire from a palace in the Island of Minus. The locals worshiped the Bull, and the ambitious queen got pregnant of their god, generating an offspring part human part bull. When the prince is killed in the island, the dwellers blame the villagers and they are sentenced to give eight young women per year to satisfy the Minotaur. The shepherd Theo, son of the village leader Cyrnan, misses his girlfriend that was abducted a couple of years ago. When he meets a leper seer, she tells him that his beloved Ffion is alive, and that Theo must go to the island to kill the beast and save his love. Theo goes to the palace and faces the king Deucalion and the Minotaur, supported by Deucalion’s sister, the queen Raphaella, who discloses the truth about the Minotaur.
no doubt, i have been quite a fan of Yasmin Ahmad’s since i first know the name from sepet.
and then, at the end of 2007, here comes Muallaf, her soon to be released movie. you can take a peep at a simple synopsis of Muallaf the movie from her blog Yasmin The Storyteller. just to have a feel of what you should be expecting
here’s a poster of the upcoming Muallaf, though not final according to Yasmin’s blog, but it’ll be something like that according to her
Really can’t wait to watch her film again as her films always give me a very deep impact. they are all simple and the story lines are actually pretty similar, yet the movies are so close to our lives and our hearts. i guess, that’s the reason why her films really touches us. and to me personally, it’s the simplicity of the story telling that touches me the most, so simple you can almost remember every single scene.
i shall wait no more and let you have a peek also at a rough trailer of Muallaf
It’s a highly anticipated movie of the year, especially for me who has been a fan of Robert Ludlum’s novels as well as movies of such genre. this sequel is the last episode of the Bourne Trilogy and it shall uncover the true identity of Jason Bourne, the signature character of the Bourne trilogy.
before i get to the review, here’s a super lengthy synopsis with SPOILER from wikipedia, DO NOT read if you don’t want the spoiler:
Bourne is once again brought out of hiding, this time inadvertently by London-based reporter Simon Ross who is trying to unveil Operation BlackBriar–an upgrade to Project Treadstone–in a series of newspaper columns. Bourne sets up a meeting with Ross and realizes instantly they’re being scanned. Information from the reporter stirs a new set of memories, and Bourne must finally, ultimately, uncover his dark past whilst dodging The Company’s best efforts in trying to eradicate him. show
The movie begins immediately following the car chase near the end of The Bourne Supremacy, with a wounded Jason Bourne evading the Moscow police. Cornered by police while breaking into a medical clinic to treat his wounds, Bourne overcomes the police officers and leaves them alive as he escapes.
The story continues six weeks later when Bourne goes to Paris to tell Marie’s brother Martin of her death. On the way, Bourne reads an article in The Guardian where journalist Simon Ross describes Jason Bourne as a CIA officer. Bourne arranges to meet Ross in London at Waterloo station. However, Ross is under CIA surveillance because his use of the word “Blackbriar” in a phone call to his editor alerted the CIA via ECHELON. After receiving a phone call from Bourne, Ross drives to Waterloo Station and is followed by the CIA, who believe him to be meeting his source there. At the station, Bourne sees CIA officers following Ross and places a prepaid mobile phone on Ross and calls him, instructing Ross on how to evade the agents while Bourne knocks out others tailing Ross. However, CIA official Noah Vosen who heads Operation Blackbriar (a renamed Treadstone proposed by Ward Abbott at the end of The Bourne Identity), orders an assassin named Paz to kill Ross and his source. Vosen’s team identifies Bourne on a security camera and recognize him as a Treadstone assassin, assuming he must be Ross’s source. Bourne advises Ross to remain hidden, but Ross panics and reveals himself, giving Paz a clear killing shot. In the ensuing chaos, Bourne steals Ross’s notes from his body, revealing Ross’s source as Neal Daniels, the CIA’s Madrid station chief.
Deputy Director Pamela Landy is asked to help capture Bourne. With Landy’s help, Vosen and his team realize that Daniels is Ross’s source. They decide to send a team to Daniels’s office, but Bourne arrives first, attacking the CIA team while they secure the office. While Bourne finishes his attack, Nicky Parsons enters the office. Nicky tells him that Daniels fled to Tangier and helps him to escape the CIA reinforcements by telling Vosen that Bourne had already left the office. Bourne calls the police with a hint of gunfighting. The police arrive exactly when the second CIA team arrives at the office. When Bourne asks Nicky why she is helping him, Nicky only hints vaguely at something before Bourne’s amnesia. While in Tangier, they realize the CIA has sent assassin Desh Bouksani for Daniels. Nicky uses her official clearance access to send Desh a message, telling him to meet her for a new phone. This allows Bourne to follow Desh to his target. When Vosen realizes Nicky’s deceit he orders Desh to kill Nicky and Bourne after terminating Daniels. Landy is outraged at Vosen’s willingness to indiscriminately kill CIA personnel and quits the operation.
Bourne follows Desh and accidentally places Daniels in danger, who dies from Desh’s planted bomb. When Desh returns for Nicky, Bourne has to outrun the Tangier police and fights Desh, eventually strangling him with a towel. At the Tangier morgue, Bourne examines Daniels’ charred papers and finds the address of the CIA substation in New York City. Before Bourne journeys to the U.S., Bourne makes Nicky go into hiding. In New York City, Bourne calls Landy while observing her and Vosen from across the street. The ending of The Bourne Supremacy is repeated: Landy tells him his real name is David Webb and that he was born on “4/15/71″, a code for the address of the Treadstone facility at 415 East 71st Street. Bourne sends a text message to Landy to arrange a meeting. Vosen and his team intercept the message and follow Landy as she leaves the building. Bourne’s meeting is later found to be a diversion, allowing Bourne to enter Vosen’s office and steal classified Blackbriar documents.
Vosen realizes the diversion after a phone call from Bourne, who states he is in Vosen’s office, and orders CIA officers back to his office to capture Bourne. Bourne escapes and enters into a car chase with CIA officers and Paz, whom Bourne chooses not to kill after they crash. Just outside the facility, Bourne meets Landy and gives her the stolen documents from Vosen’s office before entering the building. Inside, he meets Dr. Albert Hirsch (Albert Finney), who ran Treadstone’s psychological conditioning. With his help, Bourne remembers that as David Webb, he volunteered for the program. However, he tells Hirsch he no longer wants to be Bourne or have anything to do with Treadstone or the CIA, and walks away.
Back at the substation, Vosen’s team realizes Landy gave Bourne an address in code when Landy told Bourne of his date of birth. Vosen races to the facility and confronts Landy as she finishes faxing away his documents Bourne stole. Meanwhile, Bourne is cornered on the facility’s rooftop by Paz. Paz holds Bourne at gunpoint and demands to know why Bourne spared his life. Bourne asks if Paz knows why he was ordered to kill Bourne. “Look at what they make you give,” says Bourne, repeating the dying words of the Treadstone assassin called The Professor from The Bourne Identity. Paz lowers his weapon, but Vosen appears and fires on Bourne as he jumps from the roof, falling into the river below.
A few days later, Nicky sees a news report noting the exposure of Blackbriar, the arrests of Hirsch and Vosen, that CIA Director Ezra Kramer is the subject of a Senate hearing regarding his conduct, and that David Webb, a.k.a. Jason Bourne, fell into the East River, but his body was not recovered, at which Nicky smiles. The movie cuts back to Bourne’s motionless body in the water. Bourne starts to move and slowly swims away into darkness.
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As expected, The final sequel of the Bourne trilogy has yet again, awe the shit out of me. non-stop actions, tense, fast paced story-line, the whole show basically didn’t give you much time to relax and think what just happened, it was just as good as the novel itself. and as usual, the ultimatum has also a “behind the scene” big boss lie all other prequels, whom has been hiding in the dark until the very last minute, though you would probably already know who that is half way through the show.
however, one small little thing which i don’t really like in this sequel is that they’ve made Jason Bourne an almost invincible character, he jumped from roofs to roofs and yet it didn’t slow him down from running, hunched through windows then rolled on the floor with the glass fragments still on the floor yet he can still walk away from it like nothing happened, and he can foresee and foretell who are the agents and what will they be doing in one of the scenes and guide the reporter out of danger. i mean, hey, that’s a little bit unrealistic, isn’t it? no matter how CIA trained him to be a top notch super assassin, he’s still a human after all, is he not? please at least scream in pain a little so that the audience will feel sorry for him for a while, wouldn’t that be better?
well, overall, it’s an excellent show, and it will still be listed in my all-time favorites because not many shows out there could actually make me stand up clapping when the show ends.
watch it, you will not regret, trust me. and if you haven’t watch The Bourne Identity and The Bourne Supremacy, please get them at your nearest DVD store before you watch The Bourne Ultimatum because the show actually did refer a lot back to the 2 prequels, if you don’t, you won’t understand quite a fair bit of the things told in the story.
Now Listening: All American Rejects - It Ends Tonight
he plague has traveled around the world infecting most of the world’s population, turning everyone into the walking undead. The deadly virus also has destroyed the world as we knew it, rendering the planet a desert. Alice (Milla Jovovich) has been forced to roam the Earth alone attempting to stay off Umbrella’s radar. A convoy led by Claire Redfield (Ali Larter) and former U.B.C.S. agent Carlos Olivera (Oded Fehr) along with L.J. (Mike Epps) and other survivors who have not been infected, travel from small town to small town in search of other survivors and supplies, staying away from any large cities - areas that may potentially be infested with zombies. Their goal is to find a place that has not been infected by the virus.
As the film progresses, we see that Alice’s powers have undergone substantial growth. Alice, after saving the convoy from a swarm of ravenous birds, joins the others in the hunt for a place to call home. Umbrella, on the other hand, has been forced to go underground. Dr. Isaacs (Iain Glen) has been conducting research at one such institution. This time, though, instead of developing a new viral creature, he is searching for a cure; a new serum that, in previous experiments, produce a subdued creature, one that has reasoning skills and vague memories, but if angered, will fly into a blind rage and devour any human unlucky enough to be in close proximity.
Dr. Isaacs had been using clones of Alice, running each through a rigorous simulation of the past situations Alice had been in, hoping to find the one with the same capabilities, therefore the same blood as the original. Unfortunately for the convoy, Dr. Isaacs finds Alice and tries to capture her in Las Vegas, after Alice persuades the convoy to journey to Alaska where Alice believes there lives an uninfected community, so he can continue his experiments. Alice and the others, this time face not normal zombies, but instead the new enraged zombies. Dr. Isaacs goes with the strike team during the operation, and in taking this action, he seals his own fate when he is bitten by his new creation while trying to make an escape. Upon returning to his underground lab, Dr. Isaacs injects himself several times with the anti-virus, turning him self into a new creature, a self-regenerating mutant with tentacles that can extend out an infinite length, capable of pursuing human flesh.
it was pretty cool to see those cool moves made by her when she’s fighting with the zombies, however, the make up isn’t that impressive in extinction because i realized it’s pretty much the same for almost every zombies. or maybe it’s the computer rendering that created the zombies that has caused the similarities. and there’s this part where i feel pretty confused is that why would thousands of zombie couldn’t even push down the thin wire fence in the middle of the desert when some of them can smash the glasses, push down the walls and throw people feets away. according to my brother, he said those zombies at the fence howling, waving hands are the stupid-bies, and those out there lingering ones are smart-bies.
my personal opinion is, RE:E has a pretty weak story line, or perhaps i guess i should say, there’s no story line at all, the film circles around zombies killing, and only zombie killings, it has become a very ugly made horror movie instead of a suspense thriller. and since when did Alice acquired the super power of creating a force field shield and produce shockwave energy? where did she develop that kind of super power? unlike the first RE when it was all good, Alice was strong, but not unnaturally strong and invincible like this.
ah well, if you’re a die hard RE fans, be it the games or the movies, just go and watch it, you shouldn’t miss Milla Jovovich because she is getting sexier as each RE goes. and man, she’s really sizzling hot in this RE. but if you’re going for better, cooler zombies, frankly speaking, i suggest you 28 days later and 28 weeks later. although there’s no hollywood CGs, i prefer their cinematography, it’s more “raw”, and the blood looks more disgusting.
In 1945, the Marines attack twelve thousand Japaneses protecting the twenty square kilometers of the sacred Iwo Jima island in a very violent battle. When they reach the Mount Suribachi and six soldiers raise their flag on the top, the picture become a symbol in a post Great Depression America. The government brings the three survivors to America to raise funds of war, bringing hope to desolated people, and making the three men heroes of war. However, the traumatized trio has difficulties to deal with the image build by their superiors, sharing the heroism with their mates. Written by Claudio Carvalho, Rio de Janeiro, Brazil
In February, 1945, one of the fiercest battles of the Pacific theater of World War II occurs on the tiny island of Iwo Jima. Thousands of Marines attack the stronghold maintained by thousands of Japanese, and the slaughter on both sides is horrific. Early in the battle, an American flag is raised atop the high point, Mount Suribachi, and a photograph of the raising becomes an American cause celebre. As a powerful inspiration to war-sick Americans, the photo becomes a symbol of the Allied cause. The three surviving flag raisers, Rene Gagnon, John Bradley, and Ira Hayes, are whisked back to civilization to help raise funds for the war effort. But the accolades for heroism heaped upon the three men are at odds with their own personal realizations that thousands of real heroes lie dead on Iwo Jima, and that their own contributions to the fight are only symbolic and not deserving of the singling out they are experiencing. Each of the three must come to terms with the honors, exploitation, and grief that they face simply for being in a photograph
i always love war films, despite of the action, it’s the bondings and expressions among the soldiers. Flags of our Fathers, as opposed to The Letters of Iwo Jima, it tells the story from the American Soldiers’ point of view. not much of actions, the movie speaks of the struggles, self-conscious and psychology path of the soldiers who’re called heroes of war.
in fact, i really like this film because it shows the ugly fact of how media could deform facts and truth with words and promotions.
and the film posted a question waiting to be answered: What is Hero? and Who are the True Heroes?
think about it, even things that you see on a picture may not be the whole story of what you should believe. sometimes, even seeing shouldn’t be believing. the film is a very well worth watching movie, though without twisted ending, it makes you think.
The movie Sepet directed by Yasmin Ahmad was quite some time ago, i missed it on the big screen, and i realized no DVD or VCD stalls actually sell locally produced movies no matter how hard i try to find. until last night i tried my luck on youtube, i finally got to watch a movie i had been waiting for 3 years. though it was only on a 4 inch screen, i can still feel the show.
here’s a synopsis of the movie, with Spoiler ahead.
19-year old Ah Loong is in charge of a stall selling pirated VCDs. Contrary to the stereotype of his social standing, Ah Loong, starring Ng Choo Seong, is an incurable romantic with an unlikely hobby - he loves to read and write poetry. Quite content to carry on being the Romeo of the slums, Ah Loong’s life takes a sudden turn one day when a Malay schoolgirl, Orked, arrives at his stall. She is in search of films containing her favorite actor Takeshi Kaneshiro. Love blossoms between Orked and Ah Loong, although there are social and racial pressures that stand in their way. In the end, Ah Loong is involved in a motor vehicle accident while Orked is going to England to pursue her studies. It is not clear if he lived or died until the sequel, Gubra which shows that Jason really did die. After the credits finish rolling however, Orked is shown wearing a wedding ring sleeping beside Jason, who also has a wedding ring. In Mukhsin, Jason and the adult Orked are shown to be living together. However, the adult Orked is not called by her name in this scene as the young Orked is.
frankly speaking, i never fancy locally made movies. low budget, bad cinematography, expressionless actors and actresses, bad photography, mediocre acting, badly made sets. that’s how i usually rate them. only until recently, the tide changes, though the acting hasn’t improved much, there’re some pretty good directors who made really good films, like Sepet, Gubra, Mukhsin, Puteri Gunung Ledang, etc
To be really honest, it’s a very simply and very bland love story, so simple and so bland you will fell asleep if it was some hollywood production. however, what made it different and stands out of the crowd is its simplicity and it’s a show only Malaysian can truly feel it and understand it. the sets, the mixed languages, the lifestyle as shown in the movie, the settings the director had put. and to my surprise, Ng Choo Seng potrayed the character Ah Loong superbly. though without much facial expression, that was what struck me, it is that kind of expression you don’t always see in local actors, it was true, it was himself, it was as though he is ah loong himself. the languages used, on the other hand, excellent. it made the audience feel as though they’re actually in the movie instead of watching a movie because it wasn’t the usual one movie, one language kinda concept.
the one and most important thing that really made me feel great about this movie and give full credit to Yasmin is that she threw away all racial and religion differences and stress only about unity, as well as her courage of putting the real and ugly social facts on the big screen, which not many people have the guts to do it. there’s this conversation between Kak Yam and Mak Inom in the movie that really strikes me:
KakYam: Orked dapat 5A dah pun boleh study kat England. MakInom: Insyallah KakYam: AhLoong dapat 9A pulak. MakInom: *shocked expression*
we see the struggle between the Chinese boy and the Malay girl, we see the unfair policies, we see the truth, we see the social difference, and of course, we hear what we’ve been grumbling on the screen. it is these kind of scenes that really touch us even we know that there’s nothing we can do about it.
unfortunately, the only thing that i can’t really agree with is the movie’s open-ending. to me, i guess open endedness is not quite neccessary for simple movies like this. however, i guess what Yasmin Ahmad wanted her audience to do is to formulate their own endings, an ending which will make you, as an audience satisfied.
i might sound a little bias because i’ve always like Yasmin Ahmad’s production. her art direction has been pretty sharp all along and she could just make the overall experience of watching her movie a pleasant one. on a bigger scale, it’s a simple, touching, down to earth local production, with great cinematography. it’s a show you really shouldn’t miss because it’ll change your view on local production. afterall, we should support our own people isn’t it?
You go, Yasmin, can’t wait for your next production.
Out of boredom, went for a movie today, without much choices left, decided to take up Black Sheep. considering the behind the scenes crews are pretty big names from LOTR trilogy, King Kong, Heavenly Creature and such. here’s the sypnosis (WITH SPOILER), don’t click on SHOW if you don’t want to read the spoilers
On a farm in New Zealand three young boys, brothers Angus (Eli Kent) and Henry (Nick Fenton) Oldfield and Tucker (Sam Clarke) are rounding up sheep. Angus, who wears a leg brace and walks with a limp, kills Henry’s pet sheep Dudley and terrifies him by dressing up in the dead sheep’s carcass. This torture is interrupted by the housekeeper, Mrs Mac (Glenis Levestam), telling them that their father has died in an accident.
Many years later an adult Henry (Nathan Meister) takes a taxi to the farm. His traumatic experience has left him with a terrible fear of sheep.
Meanwhile two animal rights activists, Grant (Oliver Driver) and a young woman called Experience (Danielle Mason), sneak into the farm to take photos of a research laboratory. Grant impulsively steals a container of waste and runs off. Grant trips and breaks the container. A small but feisty sheep foetus emerges and bites him, then crawls off and bites an adult sheep.
Angus (Peter Feeney), now a gentleman farmer, rehearses for the presentation of his new sheep breed, The Oldfield. He meets Henry, and gives him a cheque for two million dollars to buy him out of his farm. Henry is about to leave but Mrs. Mac insists he take a run up to the top of the farm with Tucker (Tammy Davis), to help him get closure over his father’s death.
Henry and Tucker drive up the hill but their way is blocked by a sheep with a bite on its nose. They get out to deal with the sheep. Experience sneaks up and grabs the rifle from the truck, demanding to know where Grant is. Meanwhile in the woods vegetarian Grant has developed a sudden appetite for meat and rips the throat out of a fluffy grey bunny.
A farm worker is cooking up a feed in his shed and reading “A History of New Zealand”, but is interrupted by a noise outside. When he goes out to investigate he is killed (offscreen).
Tucker easily disarms Experience. He and Henry give her a ride in the truck. They see smoke coming from the farm worker’s shed. Going to investigate they are confronted by a killer sheep. They lock the door but the sheep tries to break in. Henry’s sheep phobia kicks in big-time. Experience tells them the sheep have been affected by Angus’ genetic engineering program. The sheep headbutts through the wooden door and Tucker kills it with a couple of head-shots from his rifle.
Henry, Tucker and Experience try to escape in the truck, but a sheep jumps into the cab and attacks Tucker, biting through his gumboot. He jumps into the back of the truck, leaving the sheep at the wheel. The trio jump off the back as the truck goes over the cliff and ends up shattered on a beach below. It is revealed that this is where Henry’s father fell to his death. They decide to make a run for the car back at the farmhouse, but have a long way to travel.
At the research lab the killer sheep attack and kill the lab assistants. Grant, obviously suffering from the sheep-foetus bite, is wandering the hills, and encounters Angus who is driving up to the research lab. A confrontation over Angus’ animal research ends with Grant biting Angus on the hand and running off.
As Henry, Experience and Tucker walk down the hill Tucker takes off his gumboot and discovers that his sheep-bitten foot has turned into a sheep’s hoof. A large pack of sheep attacks them and they take shelter in the research lab. Inside the lab they find an opened-up sheep, still alive, suspended from the ceiling. They are confronted by the head scientist Dr. Rush (Tandi Wright), her assistant, and Angus. Tucker holds Angus at gunpoint but Dr Rush blindsides him by injecting him with a paralysing drug.
Henry and Experience run out of the building and try to escape the herd of killer sheep by entering a fenced-off area around an offal pit. Angus follows them and expresses his scorn at Henry’s fear of sheep. The sheep do not attack Angus. A sheep startles Henry and he falls into the offal pit, dragging Experience with him. Fortunately she has an aromatherapy candle with her for light, and they make their way through a system of caves that leads back to the woolshed.
Back at the lab Angus talks soothingly to his prize sheep. Grant’s bite on his hand looks rather infected. Angus’ assistants have been torn apart and are being eaten by the killer sheep. Inside the lab Dr. Rush sees Tucker’s sheep-foot and enthuses about the spontaneous cellular transferral. Angus tells her to stay in the lab while he presents his new sheep to the public. Dr. Rush resentfully implies that Angus’ interest in the sheep has been rather personal.
Down in the caves a killer sheep is heard chasing Henry and Experience down the tunnel. Henry uses Experience’s own chakra meditation techniques to calm her down. They manage to climb out of the cave, with a sheep biting at Henry’s foot. They set fire to the sheep with the candle. It burns rather well.
Down at the farmhouse Angus is trying to keep it together but is emitting spontaneous Baas.
Henry and Experience emerge from the cave near the woolshed. They hear someone shearing inside. It turns out to be Grant who has transformed into a seven foot tall Weresheep and is trying to shear himself. The weresheep is remarkably strong, flinging Henry across the room with one blow. Henry tries to cut its throat with a shearing comb but fails. They flee using the woolshed gates to slow the weresheep down. Experience scolds weresheep-Grant for eating meat (”Was it even organic?”) and he looks guilty for a moment but resumes his attack.
In the lab Dr. Rush plans to use the amniotic fluid from an artificial sheep-womb as a vaccine to transform Tucker’s sheep-foot back into human form. Before she has a chance to inject him he starts to undergo a violent transformation into a were-sheep. The vaccine restores him almost instantly to human form. Dr. Rush takes off to give Angus a shot of the vaccine, leaving Tucker tied to a bench. Outside the lab Dr. Rush is attacked by sheep, flees through the trees but is caught and killed by one.
Angus is presenting his new sheep breed to an audience of international investors, but he is losing his composure as the sheep genes take over. When he uncrates “The Oldfield” sheep, it calls out to all the other sheep on the farm. A rumbling is heard as masses of sheep head straight for the gathering. The sheep start ripping out the throats, lips, and guts of the crowd. They leave Angus alone though and he realises that his bitten hand has turned into a hoof.
Mrs Mac turns up in her Morris 1300 and rescues Henry and Experience. They go into the house to try to phone for help but Weresheep-Grant find them and attacks. They distract him with Mrs Mac’s haggis while Henry fetches a shotgun, but the weresheep overpowers him. Hippie girl paralyses the weresheep with a needle in an acupuncture point.
Night falls and the sheep surround the house.
Henry finds Angus upstairs, who appears to have been having sex with his favorite sheep. Henry says “that’s a pretty f**ked up idea of animal husbandry”. Angus reveals that the sheep were genetically engineered using the Oldfield family DNA.
The sheep break into the house. Henry takes his father’s Golden Shears Award statuette and exits. Outside everyone bitten by the sheep is turning into a weresheep.
Angus walks unharmed through the sheep to the barn to escape on his plane. Henry realises he has been bitten by Grant. Henry says goodbye to Experience with a kiss. He dresses up in a sheepskin and crawls through the mob, but an amorous sheep blows his cover. However the sheep do not attack him, because he has been infected.
Mrs Mac and Experience escape in the car with Experience blowing away a few weresheep with headshots from the shotgun.
Angus, intending to escape in his biplane, starts the plane’s engine but then begins the weresheep transformation before he can board. Henry finds him in his transformed state. Angus attacks him. Henry stabs him with the Golden Shears. It appears Angus is dying, but then he transforms into a full weresheep and resumes his attack. Meanwhile the biplane has started moving around the field. Henry discovers that weresheep can be controlled by a sheepdog, and holds Angus in position so that the biplane’s propeller can slice and dice him. This does not quite kill Angus, but then Tucker shows up with the sheep amniotic fluid vaccine in a drenching gun and cures both Henry and Angus.
They use sheepdogs to round up the killer sheep and weresheep, but they do not have enough amniotic drench to deal with them all. Angus, now in maimed human form, offers himself up to the assembled sheep, who tear him apart. The sheep are farting copiously and Henry realises the inflammable methane can be used to blow up the entire mob of sheep, and throws a lighter at them. Big sheepy explosion.
Epilogue: Henry and Tucker drench the final weresheep. It turns out to be Grant, who is mortified that he’s eaten a rabbit. Mrs Mac turns up with a snack of mountain oysters (sheep’s testicles). Experience eats one thinking it to be seafood and much hilarity ensues. Up on the hillside a sheepdog, surveying the scene, suddenly lets out a “baaa”
my movie experience for Black Sheep is totally awful, the only word to describe the 80 minutes movie is Disgusting, sorry i really can’t find another word to describe my experience. other than the disgusting intestine eating, body tearing, blood spilling, organs splatting scenes, there’s not much other things to look forward for. talking about horror, c’mon, SHEEP? HORROR? SHEEP? HORROR? bah ! i really can’t relate them… or perhaps the idea of the movie was never horror, it should be more of a comedy i guess. unfortunately, too NZ-ly comedy, guess that’s why i can’t really understand as i couldn’t laugh.
in fact, i actually felt like leaving the cinema half way through the show, when i got sick of differentiating which sheep is bad, and which is good. damn it, counting the sheeps never fail to make me feel sleepy. oh, and don’t you ask me about how they kill those zombie sheeps, it’s one of those what-the-fuck?-endings. ok, it’s actually not that bad considering if you think it’s a funny ending for the sheeps and the victims. next time, try not to fart near fire, you might kill yourself.
my word: I will never watch ANY movie directed by Jonathan King, my advice: either you don’t watch at all, or don’t go into the cinema after food, cause i think i’m not gonna eat lasagna or tomato pasta for quite a while.
Seriously, this has gotta be 1 of the best show i’ve watched in 2007.
As i said before, i love shows with a twist, and this show certainly has a good twist. to me, every good show is like having an orgasm, and at the end of this show, i was like i just had damn friggin’ good multi-orgasm.
On his birthday, Walter Sparrow, an amiable dog-catcher, takes a call that leaves him dog bit and late to pick up his wife. She’s browsed in a bookstore, finding a blood-red-covered novel, a murder mystery with numerology that loops constantly around the number 23. The story captivates Walter: he dreams it, he notices aspects of his life that can be rendered by “23,” he searches for the author, he stays in the hotel (in room 23) where events in the novel took place, and he begins to believe it was no novel. His wife and son try to help him, sometimes in sympathy, sometimes to protect him. Slowly, with danger to himself and to his family, he closes in on the truth.
Personally, i think Jim Carey wasn’t his usual self, i mean, he has always been the ultra-super-friggin’ funny clown in most of his show. when it comes to shows like this, at first, i didn’t expect much from him.. however, at the end of the show, i think he did carry the role pretty damn well, and his facial expression has been completely dragged me into the show as well, it was that ultra-exaggerating facial expression that has brought the character to life.
watch the show, and expect a pretty unexpected ending …
The island of Iwo Jima stands between the American military force and the home islands of Japan. Therefore the Imperial Japanese Army is desperate to prevent it from falling into American hands and providing a launching point for an invasion of Japan. General Tadamichi Kuribayashi is given command of the forces on the island and sets out to prepare for the imminent attack. General Kuribayashi, however, does not favor the rigid traditional approach recommended by his subordinates, and resentment and resistance fester among his staff. In the lower echelons, a young soldier, Saigo, a poor baker in civilian life, strives with his friends to survive the harsh regime of the Japanese army itself, all the while knowing that a fierce battle looms. When the American invasion begins, both Kuribayashi and Saigo find strength, honor, courage, and horrors beyond imagination.
No matter how many WWII based masterpieces out there are already in your thumbs up list, Letter from Iwo Jima should be added onto the list. if you are looking for another adrenalin rushing battle scenes filled WWII movie, it might disappoint you because there won’t be more than 45mins of scenes like that in the 2 and a half hours show. however, it is 1 of the best war time movies i’ve watched, it tells the Battle of Iwo Jima from the japanese perspective, or rather, from the japanese privates’ perspective.
And you know what’s the best part of the show? the best part of the show is that it made me almost forgotten that the Japanese had invaded, occupied and raped my motherland approximately 50 years ago.
However, for more than 50 years, everyone has blamed the Japanese for their cruelty, savaging nature, barbaric invasion during WWII in general, and the hatred for that has narrowed our point of view. A film like this had opened us into a whole new dimension of how we should look at the war, the reluctance to fight, the fear of death, the warmth of the soldiers’ families, the unwilling civilians enrollment of the Royal Japanese Army. the film once again reminded us a war is merely a game of the governing ruler, and every soldier is merely a chess piece of the whole war game. every single soul lost during every war should be remembered. the hatred should not be extended to everyone under the same umbrella because you wouldn’t amputate your arm because there’s a broken finger, would you?